The Gospel Which Vindicates God

No one can come to Me unless the Father who sent Me draws him. And I will raise him up on the last day.
John 6:44

The wisdom of man says that unless our love for God proceeds from our own initial willingness to worship Him, then it is not truly love, but a robotic and forced relationship.

The problem with this assertion is that no man in himself is actually willing to love the true God until God opens the man’s eyes to His goodness in the first place. The will is only free to love that which is according to it’s nature; and the fallen nature is at its core a rejection of and a blindness to God’s goodness. To despise this fact is to despise the riches of God’s mercy.

“Seek and you shall find” was Christ’s admonition to those who are already His own disciples, and it was regarding prayer.
“There is not one who seeks after God” is the apostle’s precise description of fallen humanity without Christ.

“We love because He first loved us.”
– This means that unless He first freely loved me so as to open my eyes, I could never have freely loved Him. I may have sought my own earthly conception of Him; but that is not why He decided to have mercy upon me. He chose to show mercy before the foundation of the world for the glory of His own Name; and I dare not be so arrogant as to suggest that He simply foresaw that I was somehow more spiritually sensitive than others. I was in fact spiritually dead; that is what He foresaw. But His foreknowledge is a powerful personal knowing of the sinner which redeems them; this is what it means that He foreknew me.

It is written in the Prophets, ‘And they will all be taught by God.’ Everyone who has heard and learned from the Father comes to Me…
John 6:45

Pleading with men’s free will and intellectual desires does not win them to Christ; it rather wins them to a god who must always bow to their demands of mercy, as though it were an “inalienable right.” It brings them to worship a spiritually libertarian god of “fairness” who is obligated to give all sinners a “chance;” rather than the holy God of justice who was not lawfully required to save even a portion of such self-entitled, demonic wretches, yet who did.

The great conumdrum of the gospel is not how God can be fair if He chooses not to redeem every soul; it is rather how He can remain uncompromisingly just if He redeems any.

As the scripture says:

He that justifieth the wicked, and he that condemneth the just, even they both are abomination to the Lord.
Proverbs 17:15

Therefore, the only Just One condemned Himself willingly under the wrath of God, that He might justify many wicked.

That is not fair.
But it was made to be just.
And those whose hearts He hardens, He hardens justly; for there is no one who of themselves seeks after God.

Let no man answer back to God, in any matter. Let them only come to Him, if by His gracious will they will come.

At that time Jesus declared, “I thank you, Father, Lord of heaven and earth, that you have hidden these things from the wise and understanding and revealed them to little children; yes, Father, for such was your gracious will. All things have been handed over to Me by My Father, and no one knows the Son except the Father, and no one knows the Father except the Son and anyone to whom the Son chooses to reveal Him.
Come to me, all who labor and are heavy laden, and I will give you rest. Take my yoke upon you, and learn from me, for I am gentle and lowly in heart, and you will find rest for your souls. For my yoke is easy, and my burden is light.”
Matthew 11:25-30

(I beat this dead horse not because in doing so I think I will raise it; but in obedience to He who raises the dead.)

Music: To Worship, Uplift, Distract, Or Subvert

A comparison of four classical composers, with observations on how their music either helps uplift the soul to God, or draws the mind down to wallow in the things below.


1 – Johann Sebastian Bach: The Harmony Of Logos


Examples of Bach:

Brandenberg Concerto No.3:

Bach’s beautiful choral arrangement of the Lutheran hymn “By The Rivers Of Babylon” (“An Wasserfl├╝ssen Babylon”):

Toccata & Fugue:

Bach’s music describes in vivid sonic detail the reality of God’s divine order and eternal truth. There is seemingly no phrase or note in his music not written to this one end; all has distinct purpose. There is no waste; and everything is addressed in a most dignified manner. In Bach’s music, the Light is spoken of with awe and reverence; and the darkness is spoken of within the context of God’s mastery over all. There is pure joy in the Lord, with nothing trite or frivolous. There is pure fear of the Lord, with no hint of despair. There is no glorying in man’s thoughts or strength; but much rather in God’s wisdom and power.

Bach is (among other things) the great exegete of the keyboard, and his extensive repertoire lays out for us, as it were, the divinely appointed boundaries of every note’s potential use in relation to another, with every measure of his many compositions effortlessly reflecting his own remark that “harmony is close to Godliness”. There is no flirtation with musical subversion or mindless dissonance; and the occasional unusual sound is employed only to serve the well-being of the hearer as far as it reflects the realities of God’s truth within the created order of the music.

“The aim and final end of all music should be none other than the glory of God and the refreshment of the soul.”
– Johann Sebastian Bach

How well indeed did his music fulfill that saying!
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2 – George Frideric Handel: The Sound Of Majesty


Examples of Handel:

Overture, from Messiah:

Comfort Ye My People, from Messiah:

Overture, from Alexander’s Feast of the Power of Music:

A contemporary and fellow countryman of Bach (though they never met), Handel’s music is hewn from the same substance, with an ever-present consciousness of honoring God’s glory. There is always a sense of divine majesty in his compositions, by which the sensitive hearer is at times made to feel that they tread on holy ground – and this without either pretension or any sense of overbearing forcefulness on the part of the music: it simply speaks for itself when played, as truth always does when uttered.

The instrumentation alone in his famous work “Messiah” can easily take one into the very holy of holies if the soul is prepared to heed its call; and the accompaniment of prophetic scriptures borne upon its heavenly melodies carries an anointing unparalleled in most hymnody. There is often a hush of awe which falls upon even the most secular of audiences when these pieces are performed in succession. That particular work was reported to have been written by Handel in the course of approximately 30 days (in its base form, without many of the large choral parts – still an astounding feat).
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3 – Ludwig Van Beethoven: The Self-Interest Of Man


Examples of Beethoven:

Piano Concerto No.1 – Allegro Con Brio:

Cello Sonata No.3 in A Major:

Beethoven’s music still lives within the world of reality and truth, but it often does very little to consciously acknowledge such. There is still an adherence to the orderliness and natural beauty of things; but the element of divine authority is replaced with a largely unanswered search for meaning. Vast portions of his compositions are dedicated to meander through the deep woods of a lonesomely reasoning mind; and their occasional discoveries, though useful, are usually not revelatory. There is natural light, but always the bright sun is hidden behind a blanket of cloud; and the divine is so distant that it need not be directly spoken of.

In Beethoven the transcendent is lost to long rabbit trails of thought, and, at times, impulsive little adventures in melody. Not that anything is ever objectionable to the hearing – there is still a clear appreciation for beauty – yet it is limited to created beauty, and seemingly not the Creator Himself. Beethoven does eventually come to an appropriately resolved end in his compositions; but we are usually left wondering what ultimate reason there was for much of the journey. There is a distinct sense of spiritual unfulfullment despite the typical excellency of his musical form.

One always remembers the feeling of Beethoven’s music; but only a few of his pieces leave a definite impression – and even where they do, all of his music is strongly laced with the sighing melancholy of humanism’s emptiness. Even where he breaks through his troubles into a happy theme, it is always with a certain dullness of heart. Even if the light is brilliant without, it is as though the eyesight remains dim from within. Any soul not lulled to a certain numbness by much of his music is left wanting for a warmth and wholeness that was not granted; and who now shall sing to that soul of the brighter Day?
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4 – Richard Wagner: The Madness Of Devils


Examples of Wagner:

Prelude of “Tristan und Isolde” – which has been cited by some as an early inspiration to Nietzsche’s trajectory of thought.* It is a daunting and tiresome listen:

The Ride of the Valkyries – known to often evoke in men a heightened desire for war and pointless worldly conquest:

Much of Wagner’s music (particularly as heard above) is the expression of the subversive amoral philosophy of will-to-power. There is no reality or truth there except whatever the soul desires to conquer and call its own. As an excellent example of this Satanic mindset, the starting notes of “The Ride Of The Valkyries” sound perfectly like the arousal of jealousy; and the ensuing journey is one of a constant blowing about in the swirling winds of the growing lust for power, which is the only meaning in this nihilistic worldview.

Therefore, its end is wanting of any real wholesome resolve; and throughout, the key signature changes frequently, but not often to a wholly related key. Its sense of mounting triumph has no source outside of what it has accomplished in itself by sheer will: the transcendent is drowned out completely by self-glory. At last, it crashes to an end after a swift tumble into darkness, having left the listener’s heart in great alarm. And after its echoes die off in the ears, one is left with no new thing to contemplate, no melody by which the soul is given a path toward the Logos of God. The divine is utterly cut off; the soul (if it has trusted the music) is left open to the first thought or spirit that may seek to lead it astray.

It is also worth noting that this Wagner, the composer, was a great personal influence upon Nietzsche, the philosopher; and a hefty portion of Wagner’s music certainly does seem to subvert divine order, just as the philosophy of that madman, leaving in its wake the chaotic void into which he himself no doubt gazed.
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There hasn’t been a time since the fall of man when music was not a battleground for men’s souls.
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Make a joyful noise to the LORD, all the earth; break forth into joyous song and sing praises!

Sing praises to the LORD with the lyre, with the lyre and the sound of melody!

With trumpets and the sound of the horn make a joyful noise before the King, the LORD!

Let the sea roar, and all that fills it; the world and those who dwell in it!
Let the rivers clap their hands; let the hills sing for joy together before the LORD, for He comes to judge the earth. He will judge the world with righteousness, and the peoples with equity.

Psalm 98:4-9

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*For some additional interesting information on this subject matter, listen to this interview which I came across recently. He lays out the history of the subversion of music in the late classical era quite well, and particularly touches upon the relationship between Wagner and Nietzsche.
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** I do not own any of the music or audio used in this post; it is herein used for reviewing purposes only. **

The Church Of His Countenance

The Body of Christ is not comprised of mere curiosity seekers; it is comprised of living martyrs. If curiosity seekers come into a meeting of believers and their curiosity is not soon turned into conviction, how can we claim that the Spirit of God is working in our midst? Our sensitivity ought to be toward the Seeker and Judge of men’s souls, not merely the “felt needs” or curiosities of of men.

Men who only want their endless questions constantly answered ought not to be the legacy of our faith, for such is not the faith of Christ. But men who long to know their God and are only satisfied with His likeness are what allow the authority and power of Christ into the midst; and with an army of such as these, God cannot be ignored on the earth, and men quickly run out of questions in the light of His countenance. For one who has seen the face of the Lord, even in the face of another man, has been given the final answer of all, and now has but to unravel it for the rest of eternity, if he so humbles himself.

Christ is coming for a glorious church, one beaming with His countenance. This cannot be its state so long as it exists to satisfy the demands of men who neither see nor desire to look upon Christ the LORD.

Thought & Scripture – God’s Sovereignty

I form light and create darkness, I make well-being and create calamity. I am the Lord, who does all these things.
Isaiah 45:7 (ESV)

It is easy for us to say that God is sovereign over all things; but it is another matter entirely for us to say that He is also sovereign in all things. Few are they that love God for the latter, for He leaves them nothing to boast in, not even their own will.

…for it is God who is working in you both to will and to work for the sake of His good pleasure.
Philippians 2:13

The one saying, “I have known Him,” and not keeping His commands is a liar, and the truth is not in that one. But whoever keeps His word, truly in this one the love of God has been perfected. By this we know that we are in Him.
1 John 2:4-5

Soli Deo Gloria